See, you got that club face nice and stable up there. Looks good.

Thank you.

You'd rather play a fade, you're saying.

I'd much rather play a fade. I just had my irons being a lot flatter to [INAUDIBLE].

Go ahead and say it. The way I fade it-- you can fool around with it. But when I when I'm coming down, when I'm coming on the downswing, I just hold that open just a degree.

Try to hold it.

Yeah, so here's-- let me have that. So when I'm coming down. If that was square right there, I'll just delay it and just a fraction, just there. That's how I fade it. I just hold that club face just open there. I just twirl just a hair.

I hope I won't hit one over their heads.

Just a little bit. And that's what I do. Then I control how much I do, you know?

Right.

Feel it?

Yeah. You like that feel?

I like that. I like these clubs.

They're nice clubs. You didn't think you were going to pick up a set of wrenches in my bag that weren't going to look good, did you?

[LAUGHING]

I'm old school. You know that.

Yeah.

Straight.

See, I used to play with what I call a baby fade. It would go out there like it was going to turn over, and then--

Yeah. We call that the corkscrew. Goes out like a corkscrew, looks like it goes out and then falls the other way.

Right.

Yeah. But that's an easy shot for a good player like you to hit, is hold that face a hair. Just a fraction is all it is.

Just a fraction is all it is.

I can do that all day long when I get under pressure because I can hit it hard still, you know?

There it is.

That's pretty.